What I Wish I’d Known

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In October’s British Vogue, the industrious Victoria Beckham pens a letter to her 18-year-old self with advice on how to survive a life in the spotlight - from body image to marriage to outlandish outfits.

The feature shows VB, styled by Kate Phelan and photographed by Lachlan Bailey, in a range of beautiful clothes but it was the words that moved me. The letter is poignant and insightful but at times painful. I’ve always believed a hint of sadness and a great sense of humour lies beneath that cool exterior, but here it is on paper.

I don’t live life in the limelight nor was I part of the most famous girl group on the planet. Yet Victoria’s letter made me think about 18-year-old me; with fondness, sadness and a bit of longing for that breezy young woman on the cusp of what seemed like EVERYTHING.

Inspired, I penned my own letter to me with some sage advice of my own. (Sadly without a photoshoot in the Carlyle Hotel).

Dear Nicola

Nothing happens, and nothing happens and then everything happens.

You’ve finished college and have three A’Levels tucked under your Topshop belt (although maybe you should have paid more attention in French class and not spent that study day in France gulping wine with the girls, scoffing frites and chasing a flasher.) Your place at Chichester Uni to read English Literature and Women’s Studies was in the bag and things seemed on track. Then you were offered that job, starting on Monday, and had a few prompt choices to make.

Don’t get me wrong, I understand why you’ve chosen to hurtle down the career route and defer the uni place, honestly I do. The work experience, the financial independence (you can buy a new top EVERY WEEK) and a real chance of buying a flat in a few years’ time is tantalising. When you eventually do this, it will be incredible and many happy, sozzled memories will be made.

All I’m asking is please consider your choice; don’t bottle it, don’t think you’re not good enough. Once deferred, you won’t go. Foolishly perhaps, you’ll waste an inordinate amount of time in your mid-late twenties worrying and regretting and feeling inadequate that you didn’t. In fact, it’ll torment you. You'll feel like you’re constantly swathed in clever, worldly grads. You’ll dream about studying English Lit and gobbling up books and wishing that gap on your CV was filled in. The thing is, I admire you. It hasn’t taken much thought really; you’ve based your decision on how you feel right now and that is utterly content. The older you is far more rational and makes careful decisions but, always thinks the grass is greener. You just went with your gut so that’s cool. Things worked out just fine by the way and you got yourself a post-grad degree later on, but go on, give it a little more thought. You never know where it may lead.

On your image. I know you fret about it and what you look like and what other people think of you. It doesn’t matter how many times people say nice things, you don’t believe them. I won’t fib, it hasn’t got much better. But please, enjoy the freedom of being able to fling on what you like, when you like and revel in simply being a hot young thing. Stride onto that beach, wear something short without pulling it down, give it some welly! In a few years’ time there’ll be this thing called ‘social media’ which has turned us all horribly narcissistic and judgy and dictates we must have kale smoothies for dinner and conform to an unobtainable ideal. When you reach thirty-eight and you’ve had a little ‘un and feel most days like an old frump you’ll think back to eighteen year old you and wish you could wear that crop top from Miss Selfridge, just for a day.

Your obsession with fashion is a pulsating, omnipresent thing even twenty years later but wiser, slightly snootier us would like to think our sartorial choices now are a bit more, sniff, refined. Having said that, f*ck it. Experiment. Do the Brit Pop thing and wear out your Gazelles and that funny blue cardigan. Fall in love with Grunge and clomp about in boots. Wear what the hell you like (apart from tight triple denim - you look like Shakin’ Stevens) and continue to let your fashion choices be dictated by the season or trends, and never by what those silly boys want.

Ah, Men. You seem to spend a lot of time being naffed off with some of them, and quite frankly I don't blame you. Things have got a little better in some ways (we currently have a female Prime Minister and, although completely unrelated to how she runs the country, she wears excellent shoes) but we’ve got a long way to go I'm afraid; unequal pay, everyday sexism, and the words ‘locker room talk’ have taken on a sad new meaning which you’ll learn of one day I’m sure. Keep sticking up for yourself. Work harder. Don’t be discouraged by dickish behaviour when at work, when out with mates at night, when simply walking along the road. I’m afraid there’ll be plenty of that.

When it comes to boyfriends and lasting love, persevere. I'm so sorry to say, you’ll meet some proper twits in the next few years and men who will try and extinguish your fire. Don't let them; they’ll disappear from your memory as quickly as they breezed into your life. It will all feel rather amorphous and a waste of your time. Then, when you least expect it, you'll meet HIM. Timing will be an utter git though; you’ll already have decided relocating to the other side of the world is the way forward. Proceed as planned. The first month will be hard and you will never feel paler, nor more scared or longing for Blightly as you do right then and thank goodness your little sister was there to bolster you. But then you'll turn a corner and it will all work out brilliantly. I promise. Oh, and he will be waiting. There are so many more adventures ahead together.

On friendship.  As the years roll by, you'll meet some wonderful new friends (you still do in your thirties by the way) and weave a rich tapestry of totally awesome mates. Some people will let you down and drift away and it'll hurt badly and you’ll really wish they hadn’t. But your core group are still here all these years later, can you believe it? Sadly, life in your NEARLY 40s is busy and seeing them becomes disparate and a feat of diary coordination. But they’ll always be there and you’ll feel better just knowing they are. You still laugh until it hurts when you see them and morph into those excitable, tipsy big show offs you were in your early twenties when you go out or away for the weekend (but not wearing triple denim thankfully). Their presence will always comfort you.

A quick word about alcohol if I may. Us and booze aren’t ever going to be compadres I’m sad to say. In summary, we’re shit at drinking. Buy hey, don’t let that stop you. Just a few wise words that will save a hell of a lot of money, time and hoo ha. That first night in Malia (shudder) DO NOT lock everything including your passport in your suitcase in the absence of a safe and then go out for ONE DRINK JUST TO EASE YOURSELF IN ON THE FIRST NIGHT. You will dance until 7am, lark about in the sea and lose the key. You'll then blow your holiday booze budget on a call out to a Cypriot Samsonite expert to break into said case, wearing your friend’s clothes for two days while waiting for Samsonite Man to rescue you. Then, you’ll repeat this party trick in Thailand with your girlfriends and nearly miss an internal flight. Don’t accept that complimentary pink drink in Ayia Napa, no matter how jovial the guy trying to get you into the bar is. You will contract gastroenteritis and be forced to fly home after a measly three nights of partying. (You’ll never forget Danuta sleeping at the end of your hospital bed though,  making you laugh. She’s a keeper that one). Also, Thai Whiskey does not just contain Whiskey. Oh, and avoid cast iron radiators after an afternoon of drinking when you’re clapped out and have over done it. Ouch. 

Lastly, on self confidence. This is a huge, huge barrier. It'll cost you tennis finals, it will make your first month living in Sydney painful and difficult and you’ll turn down great opportunities due to pesky confidence-deficiency. My advice? If you’re thinking about it but that inner voice is saying ‘I can’t’, don’t listen. Do it, or at least try it. Be brave. It’s tough I know, there’s no magic overnight cure and you will always struggle, but age will make you wiser and you will care less one day. Believe me. You’ll travel the world all on your tod in a few years time without a care in the world. I promise.

I’ll go now and let you find your own way, but some final words if I may. You’ll learn so much over the coming years that it’ll make your head spin. You’ll love fiercely and, sadly, you’ll lose people that are close to you and it will hurt like hell. But, be strong and be positive. Be curious and polymathic. Read a lot. Live life. Mostly, be kind and gracious and love those around you. Believe me, you are a very lucky girl.

The most heavenly things await.

Love Nicola x

VB takes me back to 1997

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When Victoria Beckham was pictured leaving a hotel in NYC a few months back* in bold summer brights, two words immediately sprung to mind.

(*Apologies, being a Mum-that-blogs means I operate on a time delay. I’m either way ahead of the game after a night-feed Twitter sesh or miles behind).

Those two words were Electric Angels.

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Electric Angels was the acclaimed debut collection by designer Matthew Williamson who had graduated from London’s Central Saint Martins college in 1994 after studying a BA in Fashion Design and Printed Textiles. Williamson had launched his own fashion label, Matthew Williamson Ltd, with his business partner Joseph Velosa.

In 1997 a cold call was made to Plum Sykes, who at the time was the Fashion Assistant at British Vogue. This led to a meeting with Sykes where she placed an order with Williamson for some of his self-designed silk scarves. Encouraged by this reaction, Williamson focused on creating his first ever womenswear collection for SS98, which was to be shown at London Fashion Week. The rest, as they say, is history.

Picture the scene. It’s September 1997, LFW is in full flow and Electric Angels is illuminating the catwalk. The show featured only fourteen looks, but they were hugely impactful pieces, including bias cut dresses in a zingy palette of colours such as tangerine, fuchsia, magenta and aqua. The collection was an ode to the dragonfly, with hand-embroidered organza dragonfly wings swooping across shift dresses and sitting on the shoulder of cardigans.

Perhaps most memorably, the models included Kate Moss, Helena Christensen and Jade Jagger. Williamson’s catwalk debut received widespread acclaim and deservedly made him a luminary of the British fashion scene. The early '90s had seen the introduction of grunge and minimalism thanks to Marc Jacobs’ historic and very cool (but at the time criticised) grunge collection show for Perry Ellis in 1992. In stark contrast, Williamson’s show was an outburst of spirited brights, sensual exoticism and intricate details which caught everyone’s attention and would define his signature style.

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So, back to Victoria Beckham and the reason I’m writing this. It was VB’s bright aqua trousers and fitted red sweater that reminded me of the bias cut dress that Kate Moss wore. Trust VB to reference one of the most important moments in fashion history, a show that made a huge impact on the style world and paved the way for an illustrious career that continues to stand the test of time. Williamson’s signature aesthetic remains vibrant with patterns, textures and kaleidoscopic colour.

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Electric Angels lasted just seven minutes but was the starting point for the label, which under Williamson and his business partner Velosa, has continued to grow.

The show without question remains one of my all-time favourite fashion moments so far and the beautiful models and exotic pieces had an enormous impact on me. It was magnetic.

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Absolutely Fashion: Inside British Vogue

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It took 100 years to open their doors, but would the fashion bible ever share its secrets?

It’s safe to say there's not a lot of glamour in my life at the moment. Style is scant, elegance is exiguous. September Vogue has been woefully neglected along with its mates August, July and June Issues and summer trends, although eagerly observed, blew right past me.

As I write this I’m lunching, keeping one eye on baby Evan via the Baby Monitor App and gulping down my one-mug-of-caffeine-tea-as-per-NHS-guidelines as if someone’s going to take it away from me. There’s a dollop of peanut butter on my just-washed jeans and let’s not mention my crazy hair.

So the news that a BBC Two documentary series is about to air portraying life at British Vogue as it celebrates its centenary year is music to my ears. (The only music in fact, I’m eating in total silence apart from the occasional clattering of fork on plate in case the radio wakes the baby). I literally sat up for the first time in ages and felt enthused about watching something I have a bona fide interest in.

The first episode of the two-part documentary Absolutely Fashion: Inside British Vogue, will broadcast on Thursday 8 September at 9.00 pm and promises to show what Vogue wears and what Vogue eats (can you even imagine?! I can’t, but would bet my Marc Jacobs bag it’s not peanut butter on toast).

It was shot by award-winning filmmaker Richard Macer (in association with his company Platform Productions) who, for the first time in British Vogue’s 100 year history, was granted unprecedented access to the magazine’s daily life over a nine month period. Macer’s footage includes one-on-one interviews with editor-in-chief Alexandra Shulman and her power team of editors and key contributors, major fashion photoshoots and international shows. He also captured the every day running of the office as they prepared for and started to commemorate 100 years of the world’s most influential and celebrated fashion publication.

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The documentary series promises to go behind the scenes and “uncover the world of high fashion like never before” and provide viewers with a candid and fascinating insight into an ever-changing industry. Episode one takes us to the end of the Spring/Summer 2017 fashion shows in September 2015. We get to follow Shulman and her creative heads - including Fashion Director Lucinda Chambers (who I imagine takes on the role of the magnetic Grace Coddington), Creative Director Jaime Perlman, Fashion Features Director Sarah Harris, Editor-at-Large Fiona Golfar, and the wider Vogue team. Later on in the series, Macer's camera observes some of the fashion world’s most popular characters on set, including Edie Campbell, Mario Testino and of course Kate Moss who has appeared on more British Vogue covers than anyone else. What would a fashion documentary be without Moss?

I cannot wait to watch it. I imagine Absolutely Fashion: Inside British Vogue to be like The September Issue with a huge dose of British eccentricity and dazzle. I’m expecting huge characters, unfettered style and plenty of fabulous melodrama. For years I’ve wandered through London’s Hanover Square and seen Vogue House looming in all its palatial glory, contemplating what it’s actually like to run the UK’s style bible; how big decisions are made, exactly where inspirational shoots are prepped and great features are concocted and tried to get a peek through the doors in vain, so I'll be glad for the virtual tour.

You can watch the trailer below (did anyone else feel a bit nervous when the great Alexandra Shulman said "have you got a pass?"), although it provides only a tantalising excerpt, and The Guardian’s Morwenna Ferrier was lucky enough to get a sneak preview which you can read about here.

The preface on the BBC Two website explains “the films observe a world not just intent of celebrating the glories of the past, but also facing up to the challenges of an uncertain future”. It asks “With Instagram and other social media starting to challenge the magazine’s exalted position, can Shulman keep it on top?”.

I have no doubt. The magazine in my opinion remains as powerful and exciting as it has ever been. It influences and inspires, it provides a heady escape from the norm and an endorsement from Vogue magazine guarantees continuing success for labels, models and brands. I continue to buy and collect the print version on a monthly basis as well as devour the digital content.160730-02I’ll happily be at one of my closest friends’ wedding celebrations when the documentary airs on Thursday (surrounded by glitzy ladies with a little Evan attached to me and timing my quaffing of champers around feeding) but will catch on iPlayer as soon as I can.

In the meantime, I’ll be watching half hour snippets of The September Issue in preparation (whilst doing some ironing. Oh the glamour).

Absolutely Fashion: Inside British Vogue on BBC Two starts on Thursday, 8th September at 9pm.

Leena Ojala - Little Place (Saturday, Monday Remix)

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I’m always keen to give a shout out to fellow Londoners, especially creative ones who make really good stuff. This this time around it's musician Leena Ojala.

Pronounced "Leeyna Oyala" the indie electronica artist has drawn comparisons to Adele and British singer-songwriter and electronica artist Låpsley but fully deserves to be recognised in her own right. Fortunately, praise has been bestowed by Fader, CLASH and IDOLMagazine amongst other credible publications and she was recently a featured artist on Spotify's Fresh Finds Hiptronix playlist.

A stand out track of Leena’s is the haunting Little Place. Produced by platinum-selling Benbrick (Paul Carter), it was given a beautiful visual accompaniment earlier this year in a video shot by renowned London-based director Aella Jordan-Edge in NYC. Leena’s probing lyrics and understated melodies are brought to cinematic life in the video, which visualises a young couple facing major change, and takes the viewer on a journey across Brooklyn Bridge, the back alleys of Manhattan and the enticing sands of Jacob Riis Beach.

The track is strong enough in its original guise, but a few weeks back it was treated to the dance effect by Swedish producer, fellow Londoner (another one! We are clever clogs aren't we) and Zane Lowe favourite Ludvig Parment AKA Saturday, Monday. Saturday, Monday has remixed acts like Naomi Pilgrim, Elliphant, Little Dragon - and now Leena Ojala - and has been described by DIY magazine as “a master of multiple guises”. He has also collaborated with the likes of Steve Angello, Pell and Hayley Kiyokoto and if you’re not familiar with his work then check out Headshake feat. Julia Spada for a delectable taster. *plays on repeat*.

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Definitely worth checking out, this remix of Leena Ojala’s Little Place has diversified my Spotify playlist and given it a welcome lift. Electronica is not usually my immediate go-to genre, but this has opened my eyes a bit wider. An instantly catchy introduction, a haunting vocal and tight production make this a keep-on-listening kind of tune.

If you like your electronica blended with an 80s-infused vibe and take inspiration from Steve Nicks, London Grammar and Kate Bush then check out Little Place. Oh, and Leena’s debut EP, simply titled EP1, should be on your playlist too.

You can listen to the remix here

What are you waiting for?

Leena Ojala

Soundcloud | YouTube | Spotify | Twitter | Facebook | Instagram | Website

Saturday, Monday

Soundcloud | YouTube | Twitter | Facebook | Instagram

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All Change!

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What a difference two months makes!

Since the birth of our baby Evan, life has been tumbled upside down for me and my husband Alex in the very best way.

The day before Evan was ready to make his debut, a Friday, I woke feeling almost human again after pregnancy nausea had left me feeling rotten for the past week. I set off on a day of frenzied activity and darted about the house like a domestic goddess; organising, sorting and cleaning anything that dared stand in my way. I believe this is called NESTING. I posted a blog about talented artist Albert Man. I ventured out to hell-on-earth-Oxford Street to buy maternity jeans. Later that night, we saw friend and local artist Harry Pane perform an outstanding gig in the luminous surroundings of Gods Own Junkyard. I felt a bit like my old self again.

I highly recommend Harry and his work. Not only a brilliant musician but, unwittingly, also highly skilled in inducing early labour. We got home at midnight and settled in but at 1.30 am all hell broke loose and so did my waters. Pregnancy had seemed like an eternity but this was the real deal; off to Whipps Cross Hospital we dashed, nine days earlier than expected. Gulp. 

After 29 hours of labour with Alex and my Mum as excellent birthing partners (plus a gratifying assortment of pain management drugs that transformed my voice into that of Frank Butcher’s) little Evan, ahem, tumbled out at 6.20 am on the Sunday AND THAT IS ALL I WILL SAY ABOUT THE BIRTH. 

Evan and I stayed in hospital for one night (terrifying) and then came home to a lovely welcome party. Since then, my husband and I have been sucked into a frightening, exhausting, beautiful whirlwind where time has no concept. None at all. Forget the Twilight Zone. This is the Baby Zone - which is much more frightening. 

Family and friends often ask me how it’s all going. In summary; it’s by far the most amazing, challenging, exhausting, rewarding thing I have ever done in my life. Like competing in a Tough Mudder Challenge on a daily basis, with added poo.

I’m fortunate to receive a ton of messages and emails. I hope this blog goes some way to explain why I haven’t got back to you yet…

I Can’t. Get. No. Sleep.

You knew it was coming and I apologise for the annoying parenting cliché - but lack of sleep is a total git. A fellow New Mum reminded me the other day that sleep deprivation is a form of torture in some parts of the world. I relate. Being constantly sleep deprived does strange things to you. 

It can make you REALLY F*CKING IRRITABLE (sorry Alex). It can render simple, every day things completely overwhelming. This is unfortunate since being a New Parent involves learning lots of new things, a bit like studying a masters degree in Having a Baby. When exhausted, sterilising bottles with a microwave steriliser, expressing milk with an electric pump ( I hear this noise in my nightmares) and using other gadgets that we are lucky to have in this day and age become as complicated as quantum physics. Instruction manuals may as well be written in Mandarin. My big sister kindly tried to explain to me the simple process of washing, rinsing and sterilising bottles at 9.00 pm one night after a long day and I flopped on the kitchen table and weeped “I CAN’T DO THIS, I DON’T UNDERSTAND. SOMEONE PLEASE HELP” while Alex gently took my phone from my hands, manoeuvred me toward the stairs and informed Jo I would call her back tomorrow.

It can make you forgetful. All around the house are remnants of tasks started but forgotten. The other day it took me an hour to get Evan and me ready to collect a parcel I’d missed from the Post Office. Before leaving I tried to locate the red ‘Something for You’ card I’d had in my hands a mere 10 minutes before. I turned the house upside down for a further hour, checking under piles of washing, peeking under Evan but it did not turn up. I found it that later that night in the tumble dryer. I may have sworn.

Underachieving 

I have a propensity to want to get stuff done and rinse the life out of each day. However, since Evan came along, daily goals have been dramatically and realistically modified. Have shower. *Tick*. Get dressed before 2.00 pm. *Fist pump*. Post card. *Done*. I tell myself “today I will get out before 12.00 pm”. I get out at 5.00 pm, relieved to see daylight and gulp down fresh air.

Who would have thought looking after such a tiny, precious being would be so colossal? It is a military-style operation that requires superpowers of foresight and organisation just to get to appointments on time and keep the Evan cycle (feeding, changing and cuddling) spinning. The house is littered with the detritus of washing, paperwork and breakfast stuff I haven’t had time to put away as the little man has stirred. Messages and emails are stacked up and I’m averaging a one-handed WhatsApp reply every 4 hours. Ideally, my morning would be like that scene in Mary Poppins when, with the snap of her fingers and a spoonful of sugar, folded clothes leap into drawers and beds make themselves. It is not. I am not Mary.

The Launderette

I’ve never done so much washing in my life. I remember someone telling me that when you have a baby, the washing machine is always on. “Ha ha”, I chuckled. “How can that be? It’s a little baby, surely they don’t wear much!”. 

THE WASHING MACHINE IS ALWAYS ON. I am a one-woman launderette, where hand washing, machine washing and tumble drying is done simultaneously and tri-daily. I am literally Dot Cotton in the East End.

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Fashion Faux Pas

I would describe my New-Mum look as Deranged Chic. It’s not so much selecting an outfit to wear, but grabbing the nearest clean, dry, and feeding-functional thing I can fling on. Hair is spritzed with dry shampoo and styled with a skunk-like white streak when I forget to rub it in, or if I’m lucky, washed but left to dry au naturel, i.e. in a shit, flat way. 

Makeup is roughly painted on with one hand, the other bobbing Evan up and down in his bouncer. (A bit like patting your head and rubbing your tummy simultaneously which I was never any good at). 

I’m lucky if I can get my top back on some days as I dash from one room to the next and answer the front door. I leave the house for an appointment, get halfway down the road convinced my dress is tucked into my knickers and duck into the nearest bush to check all is in order. The other day I may possibly have flashed the MOT garage opposite, unaware the shutters were open in our bedroom as I ran in to get the Infacol. (Surely that qualifies me for a discount on my next service?). 

Evan is sick on me at least twice a day. To me, he is my world. To him, I am a tissue. 

Mum Faux Pas

I have become one of those Mums. I say hackneyed Mum-things like ‘I NEVER FINISH A CUP OF TEA!’ and mock raise my eyes to heaven. I drench my Facebook page with images of Evan smiling (pooing). If away from him, like recently watching the legendary Stevie Wonder at Hyde Park an experience to be savoured if ever there was one, I WhatsApped my parents on the hour to ask if he was OK and request a photo to coo over.

Some days I think I’m doing OK. I’m dressed and, crucially, have a top on. I have eaten something. “I’M WINNING” I think to myself “I am OUT”. The other day I was brave and executed a public breastfeed in a local deli. I finished, feeling rather smug for not flashing my fellow diners and put Evan back down so I could finish my tea in peace (see above point). As I bent ungainly over the pram, a very nice gentleman tapped me on the shoulder and said I had, erm, mislaid something. A breast pad, it turned out. Stuck to my left bum cheek. I peeled it off, paid the bill and left a tip and my dignity behind. 

The other day after a walk, I arrived home and popped off Evan’s hat, only to discover a pair of baby socks had been stashed inside the top of it for the past hour. (Sssh, don’t tell the midwife).

Nappy Rash

At our daytime NCT classes, we learnt out how to change a nappy on a pretend baby. Oh, how we had all laughed! “How easy was that” we had sniggered and congratulated ourselves on being natural parents. 

Apply what you’ve learnt to a real, wriggly baby at 3.30 am, chuck in backache, sleep deprivation and a wee in the face for good measure and and it’s not such a hoot. Baby grow poppers are the work of the devil, there to punish Mums who dream of drinking wine and not wearing a nursing bra, as you finally pop everything closed and realised you’ve missed one. 

Nappy changes have made Alex and I slightly nuts. After being told olive oil can prevent dry skin, poor Evan is doused in it on a regular basis at morning nappy changes and smells like a greek salad. We have adopted phrases such as “Make sure his dinky is down” to prevent a messy nappy. We sing deranged songs that don’t rhyme in an attempt to stop him crying like “EVAN, I’M IN HEAVEN, I’M IN HEAVEN WITH MY LITTLE BABY EVAN” to the tune of “Cheek to Cheek” that you would die with embarrassment if anyone heard you (and that the word dinky now featured in your lexicon).

Don’t You Worry 'Bout A Thing

Being a new parent is confusing and terrifying and means learning on the job with help from remote tutors (grandmothers), a bit like distance learning. There is no manual, no algorithm to follow. My Google history is a blazing trail of anxiety. *Baby red face* *Newborn baby red face*. *Normal colour baby face*. At 2am, I’m scanning the BabyCentre, NHS and NCT websites and self-diagnosing imaginary symptoms. On average I check Evan’s breathing every two minutes. I’m not ashamed to say sometimes I walk past his pram and touch his head just to check he is in fact still breathing (which causes him to jump and wake up) and then run off. This makes me feel a little bit mean.

Oh and did I mention that sleep deprivation can make you really irrational? I am obsessed with Evan’s temperature. If he looks a little clammy, the digital temperature is out and under his arm in seconds. “Oh God, he hasn’t pooed in an hour”. “Ah, he’s pooing too much!”. “Ah, he has a rash all over his face.” “One of eyes is only half open!” *Googles poo, rash and squinty eye*.

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Food, Glorious Food

Food is no longer savoured, it is shovelled in and gobbled down at any available window. Breakfast is taken at 12.00 pm, lunch at 4.00 pm, dinner at 11.00 pm. I am the unhinged person wandering around Walthamstow at 4.30 pm, hunting down an establishment still serving lunch at such a time, and nearly crying with relief when indeed they are, ordering “a strong coffee and your finest chocolate-based product please” in an unsteady voice. I often have food in my hair. I am effectively one of Roald Dahl’s The Twits.

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SO, in answer to your kind questions - in a deranged, sleep-deprived and giddy-with-love kind of way, I think we’re doing OK.  

We could never have done it without the support of family and friends with their staying the night, their visits, their kind words, generous gifts, daily calls and WhatsApps. Oh and flapjacks. I couldn’t have done it without flapjacks.

But, of course, I’m messing about. Absolutely none of this matters a jot. It is all about Evan now and I'll take the poo, the lack of sleep and the absence of dignity any day. 

The other day Evan grabbed my finger, looked into my eyes and smiled. Every single stupid, unimportant concern disappeared and I felt a pang of the most overwhelming love it actually made my stomach hurt that was nothing to do with labour pain recovery or the fact I hadn’t had the time to go for a wee in six hours.

Evan is two months old today! He celebrated at 5.00 am this morning by doing an EPIC projectile poo on him, me, our still-quite-new beige carpet and on the baby wipes and nappies I’d laid out. Then he wee'd in my face and hair and gave me a smile. Cooly executed Evan.

Happy Birthday Evan from Heaven. You are the most beautiful thing I have ever seen and I love you so much. You break my heart every time I look at you. 

Here’s to the next month... 

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Gary Clark Jr. - Music To Heal

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My favourite album at the moment is nine months old, so I’m rather late to the party (timekeeping has never been my thing you see) - although this party shows no signs of slowing.

The record was released in September 2015 but thanks once again to Jazz FM and their superior playlist I heard them play an album track one weekend and frantically Googled the words ‘I will shoot you down, in cold blood’ to bring the song to life (which admittedly would look really dodgy if someone poked around my search history).

The artist is Gary Clark Jr. The song was Cold Blooded. The album is The Story of Sonny Boy Slim and for the unenlightened, I’d strongly advocate you take a listen. 

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A bit of background stuff. Gary Clark Jr. is an American guitarist, singer and actor based in Austin, TX - the Live Music Capital of the World and a city I've developed a bit of an obsession with over the years by virtue of its rich music, culture and arts scene. My interest was further fuelled after watching episode four of the Foo Fighters documentary, Sonic Highways, which featured Clark Jr. and examined the foundations of Austin’s live music scene.

The polymathic Gary Clark Jr has been hailed as “the savior of blues" but also specialises in hip hop, funk, jazz, soul, country and garage rock to name a few styles. His breakthrough record was Blak and Blu in 2012 but it was the sophomore album and genre-spanning The Story of Sonny Boy Slim that shone a light on his accomplished guitar playing and indisputable cadence.

Known for magnetic live performances (he was awarded SPIN Magazine's Golden Corndog award for performing in more major North American Music Festivals in 2012 than any other musician on the planet), he has shared the stage with a dazzling array of musical virtuosos including Jimmie and Stevie Ray VaughanB.B. King and Buddy Guy. In 2014, he worked with Foo Fighters on the track What Did I Do? / God As My Witness from their epic Sonic Highways album and was the very special guest of the band when they performed the track on Austin City Limits.

The Story of Sonny Boy Slim showcases Clark Jr.’s musical versatility and expressive voice, and is all laid-back melodies and killer guitar riffs that fizzes with substance and style. My favourite tracks are BYOB, Can't Sleep and Shake (released as a trifecta complete with a super cool video trilogy), Stay and Our Love but I’ll let you discover your own.

On 26 June, he performed on the West Holts Stage at Glastonbury Festival and plays London’s Brixton Academy on 29 June for what will no doubt be an electric set. I’m gutted I won’t be there, but if anyone is going I’ll happily settle with living it vicariously through you.

On the album’s kickoff track, The Healing, Clark Jr. declares with intensity “This music is my healing” and then in the reprise he repeats the line but changes the word “my” to “our". I’m a great believer that music can provide solace, an escape when things get tough. So, in these hugely turbulent times we find ourselves in with the country unsettled and divided you could do worse than listening to Gary Clark Jr. over a beer or two.

Let music be our healing.

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Cheap Suit, Expensive Quality - Albert Man

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It's always so inspiring to be contacted by unsigned artists, especially talented ones on the brink of releasing their debut album. What a thrill that must be, channelling all your hard graft and skill into your artistry and for an album release date to finally be on the horizon.

It’s now time for Albert Man to enjoy the spotlight.

A half-German Mancunian singer-songwriter based in London, Albert has been recording and playing gigs since 2014 and is a welcome regular on the London gig circuit, having played at venues including The Old Truman Brewery, World’s End and The Bedford earlier this year. In 2015 he released his debut EP Slam the Brakes On which amassed considerable interest and captivated Liverpool-based blog GETINTOTHIS, who described it as "A bit special, to say the least".

He releases his 11-track, self-produced album Cheap Suit on 23 May 2016.  It was recorded by Wes Maebe at the renowned RAK Studios, the recording space founded by the legendary producer Mickie Most, and where artists including Miles Kane, Mary J Blige and Frank Ocean have recorded live sessions.

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2016 has been quite a year so far for this progressive musician. His accomplishments include (so far) reaching the finals of the esteemed Coffee Music Project - a high profile competition in London and NYC that showcases emerging musicians while engaging a deep spirit of community among those who share a passion for great music and coffee culture. All the proceeds from the live rounds go directly to support the charity Project Waterfall, and Albert stood out amongst the other 36 contestants which also saw Harry Pane crowned as runner-up. He played The O2 Priority Lounge before Grammy-Award winning hard-hitters Muse, and was a part of an emerging artist night at The Piano Works and Hotel Café Royal. In addition, notable live appearances have included Balcony TV where he gave a heartfelt performance of Do You Think About Me and London Live where he performed two tracks from the new album, Skimming Stones and The Dream Team.  Not a bad start, right?

Now for the music itself. It’s tricky to define Albert’s style as it’s quite multifaceted but "piano-led, melodic pop" is a great place to start. He has been described as the UK’s answer to Ben Folds, a modern day Elvis Costello with a bit of Jarvis Cocker and Neil Hannon thrown into the mix. He's also a bit of a disciple of 1950's rock'n'roll and 1980's Bowie and murmurs of this undoubtedly are reflected in his music. Lyrics are a key feature of his work; Albert recently said that, for him, the words and concept comes first and each of his tracks offer quirky lines inspired by the quotidian; like relationships ("we'd talk for hours until it got late, making the perfect mix-tapes"), getting inebriated with your mates and nostalgia. He has the finesse to convert the commonplace, the ordinary into something memorable.

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I've had the advantage of listening to the full unreleased album, and standout tracks include the punchy Don't Be That Guy (dishing out invaluable advice like "Don't be that guy with the hideous tie, and the hair dye and the Hollywood smile who's stuck in 1989") and Not Yet Just One More with a strong piano lead and a luring chorus, that tells the tale of going on a bit of a bender even though we are getting older now (hugely relatable) and "when the spinning stops, you reconnect the dots, it's nothing new".

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Albert's work is visually enticing too. The album cover for Cheap Suit was created by Polish illustrator and graphic designer Patryk Hardziej and the video for Cheap Suit, about a man whose life takes a turn for the worst after a relationship breakup which results in him becoming homeless, has striking accompanying imagery. You can see some of this work on Albert's Instagram page.

Cheap Suit is highly recommended and I wish Albert all the best with this album and his upward trajectory.

The suit may be cheap, but this is priceless.

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You can catch Albert at the following, upcoming gigs across the UK.

18 May 2016 at Karamel Club, London with Success Express Music 

26 May 2016 at Paper Dress, London

07 June 2016 at Upstairs at Ronnie Scott’s, London

10 June 2016 at The Amersham, London

12 June 2016 at Jimmy’s Farm, Ipswich

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OK Ladies, Now Let's Get in Reformation

It is not uncommon I realise, but the change in season and a taste of what sunshine actually looks and feels like makes me feel buoyant.

I allow myself to daydream about what I will be wearing in the months ahead when (a) I might actually fit into something that isn't capacious (b) we can bare shoulders, go sans-jacket and flash an ankle or calf with reckless abandon (c) it is balmy.

Hopefully, my repertoire may include one or two pieces from major cult eco-label Reformationwhich not only creates exquisite designs, but seems intent on revolutionising the fashion industry.

Created in 2009 by dynamic designer and environmentalist Yael Aflalo, the Downtown LA based brand offers style with a conscience, with their mission being to lead and inspire a sustainable way to be fashionable. To ensure their creations come at a fraction of the environmental impact of more conventional fashion, all Reformation pieces are produced by either responsible manufacturing partners in the US or overseas using sustainable methods and materials. They also source natural fabrics and materials like Tencel, repurposed vintage pieces and recycled 'deadstock' fabric while incorporating better practices throughout their supply chain.  In summary, they make killer clothes that don't kill the environment.

It may officially be my new obsession but Reformation is by no means a new label; it has been knocking about since 2009 and has been adorned by those cool LA girls and a heap of famous faces since then. It has been on my personal radar since Sienna Miller started wearing it circa 2014 - like the beautiful Felice Jumpsuit below - but it's at the top of my wish-list again right this minute. I have spent an inordinate amount of time hungrily poring over the Reformation website and planning what I might treat myself to if the budget stretches (and when my belly stops stretching).

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Reformation is great for a number of reasons.

  • They make bold, factual statements about the Impact of Fashion that make you stop and think. Like Fashion is the third most polluting industry in the world, and the second largest consumer of water. Making fabric uses water, energy, chemicals, and other resources that most people don’t think about, or ever see. We think knowledge is power, so we talk about resource use, climate change, and other impacts of fashion. This made me stop and think. It's facile to preach about LOVING fashion (which, sincerely, I do) and to casually affix #fashionlover to your Tweets and your Insta pics without giving any real thought to how lovely things are actually produced and what they might be doing to destroy our planet.
  • They use a tool on their website called RefScale which tracks the impact each of their garments has on the environment. For example, if I were to purchase this sunshiny Caftan Dress (can I, please?) I would know that this garment required 252 gallons of water versus the industry standard of 1832 gallons of water and therefore I would save 1580 gal. This makes me feel happy.
  • Reformation Founder and CEO Aflalo is Making Earth Day her Every Day. The concept is that while most of us might be a bit cynical and assume we can’t individually make a big difference, Reformation have the data to prove that, hell yes, we can. For the lucky people who bought some Reformation stuff in the past year, they saved 250 million gallons of water - a number that will surpass 1 billion next year.  To celebrate, they're launching a new super sustainable Earth Day Collection, which is really lovely. Power to the People.
  • The clothes have the wow-factor and are undeniably sexy but it's not in-your-face sleaze which I'm not up for. It is confident and multifaceted. Their design mission is to make effortless silhouettes that celebrate the feminine figure. I'm always up for this.
  • It is reasonably affordable and they offer free worldwide shipping. This is attractive but terrible news for my bank balance which will soon be maternity-leaved. 
  • Their Addilyn Dress in Barnyard is not only jaw-droppingly gorgeous, it is advertised as engineered for easy access and currently on the home page features a pretty lady breastfeeding near a tree somewhere verdant and lovely. Hurrah! I would like to think this will be me in Walthamstow in the coming weeks. It won't, but I can dream.
  • Their Instagram account actually made me salivate. Then want to be on holiday, all year. Or living in LA. Neither of which will be happening anytime soon, so for now I'll Insta-stalk.
  • The website is a design feature in itself - you could spend hours looking at it (oh no I didn't!). It has ornate Fabric Swatches, designs have lovely names like Moonshadow, Fruitcake and Rose Dazzle (how beautiful is that? Hi, potential baby name!*) and there are also Stories - a kind of inspirational moodboard with selected pieces that have great titles like Delicate f*cking flowers and Keep that effortless thing going. I'm certainly not a delicate f*cking flower and I'm not sure I have that effortless thing to even keep going, but by the grace of God I WILL FIND IT - and keep it going. 

In the meantime I am seriously considering the following pieces when the time is right:

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Reformation Newman Skirt $178

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Labels like Reformation make me feel hopeful. They are doing great things for the planet, they produce beautiful clothes and they make me believe there could actually be life after maternity wear.

Amen.

*I'm joking, Alex.

I think...

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