SONGBIRDS

Thanks to a certain person in a certain big white building in the USA, women’s rights have never been more precarious.

At the recent Women’s Marches following the inauguration of Donald Trump the message, by both male and female demonstrators, was that women’s rights are human rights and that “women won’t be Trumped”.

Sadly though, it appears it's still a man's man's man's world within the music industry. Artists including Bjork, Lady Gaga and Laura Mvula have been vocal about sexism in the industry, with Gaga speaking out about sexual assault and the desire to be taken more seriously as an intelligent and talented musician rather than being associated just with body image. A recent Guardian article reported that although women make up 59% of entry-level business roles, only 30% of women hold senior executive roles. 

But, there could be a change on the horizon. Music experts and celebrities alike are calling for women to be recognised in all aspects of the industry and Madonna's acceptance speech at the Billboard Women in Music 2016 event last year may have been deeply moving but was also rousing.

PRS for Music have previously reported that their membership of over 95,000 songwriters and composers is only 13% female and allegedly, there have been cases of female writers pitching songs under a male pseudonym to give themselves a better chance (very 19th century female author, don’t you think?). So, Laid Bare founder Rami Radi has started a campaign via 38 Degrees called #takehername to coincide with International Women’s Day on 8 March 2017. 

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The campaign is a call for action to encourage male artists to change their name across their social media platforms on IWD - to a female version of their name, in support of female musicians and songwriters in the industry. For IWD this year, women are being asked to ‘be bold for change’ but Rami wants to go one extra and encourage men to ‘change to be bold’.

You can be part of this amazing movement too. On Thursday 23 February 2017, Laid Bare will be staging an exciting event called Songbirds at London’s 93 Feet East on Brick Lanein support of this campaign and to challenge attitudes towards female musicians.

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It’s not just about activism on the night though - the event is also, importantly, about showcasing and celebrating technically gifted women in music who are excelling in their field. The all female line up will comprise of five London based musicians, and celebrated DJ, Jenn Crothers will playsome great tunes late into the night.

Laid Bare’s newest signing Sula Mae will launch her excellent new single, “Blind” on the evening. East London singer-songwriter Sula cites Ella Fitzgerald, Nina Simone and Aretha Franklin as vocal influences. Her EP of the same name is largely influenced by the Bristol-bred Trip Hop sounds of Portishead, Massive Attack and Tricky. 

Also featuring are Cornish musician Polly Money who will showcase her melodious, sun-kissed voice and cheeky blend of pop and Bee Bakare whose upbeat, heartfelt tracks have earned her winner of the Future Music Songwriting Competition 2017. Completing the Songbirds all-female line up will be Brixton born and bred Elisa Imperilee whose debut EP is a melting pot of soul, R&B, jazz and hip-hop, and AutumnMusic who builds intricately-layered vocal loops live on stage, weaving her stories and experiences into songs that make her part singer, part producer, part poet.

It’s set to be an amazing evening - but with a purpose. “With almost 90% of the Rock’n’Roll Hall of Fame being made up of male musicians we need to move on from pigeon-holing female musicians by image and understand that good musicianship is all that counts” says Rami. 

Closing, with Madonna. In her BillBoard acceptance speech she called on women to “start appreciating our own worth, and each others worth” and encouraged them to “…seek out strong women to befriend, to align yourself with, to learn from, to be inspired by. To collaborate with. To support. To be enlightened by.

Songbirds is a very good place to start.

Songbirds takes place on Thursday 23 February 2017 at 93 Feet East, 150 Brick Lane, E1 6QL.

Doors: 19.00. FREE ENTRY

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We're Raving, We're Raving

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Since our baby Evan was born life has been inevitably tumbled upside down. Late nights and bar hopping may have been replaced with even later nights and hopping from his bedroom to ours as we pray sleep will come soon, but I’ve thrown myself into parenthood head first and love every minute of it.

Yet since weathering the storm of the insane newborn days and finally mastering the introduction of solid foods (I NEVER WANT TO SEE A SWEET POTATO AGAIN), I’ve been relieved to discover it’s just about possible to do some of the old stuff we love to do with our little man in tow - just a slightly pared down version of it.

We’ve viewed some Bourgeois at the Tate Modern. We’ve pelted around breathlessly at Buggy Fit. We’ve perfected our downward facing dogs at Mums and Babies Yoga. Evan has even accompanied me to an interview on assignment for music magazine RockShot, for which I’m a contributing writer. But we’re yet to combine our love of raving/dancing/going to NIGHTCLUBS* with our love of Evan assuming, quite reasonably, that the two did not mix. (*I’m pretty certain they’re not called that any more).

Until now that is. A few weeks back we were invited to a Big Fish Little Fish event in my original ‘hood, South London, and we literally jumped at the chance. 

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BFLF is an award-winning event that gives adults the opportunity to take a break from the norm and ‘rave on’ with their family. It’s a creative and exciting music and dance party for the post-rave generation of parents with children aged between 0-8 years old. Not only can you expect big name DJs, fancy dress themes, a licensed bar and club visuals, there’s free glowsticks and transfer tattoos, a licensed bar and baby chill out areas. Oh, there’s also a licensed bar. Did I say that already?

It’s the brainchild of founder Hannah Saunders who realised there was nothing to take her children to that would be relaxing, entertaining and daft but also where the adults could enjoy themselves as much as the kids. Don’t get me wrong, I genuinely love taking Evan to the Toy Library but sometimes there’s only so much Five Little Ducks you can take in one week. By blending their experience of being seasoned clubbers and parents, the BFLF team have grown the event from a monthly party in Brixton in 2013 to a major player on the family arts scene and an expanding force to be reckoned with. It takes place in large cities all across the UK, at special events such as at Selfridges on London’s Oxford Street and this year will see them take their mini-festival experience to Camp Bestival.

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BFLF is always held in interesting and quirky venues and for our Sunday afternoon rave, we headed off to The Bedford in Balham, an old haunt of mine known for comedy and live music as well as booze. The main gig took place in The Globe Theatre, shaped “in the round” which is a remarkable space and the perfect setting for a party.

On arrival and once we’d made use of the baby change available (Evan makes me work for my free time), I literally could not believe my ears and eyes. The dance floor was illuminated and the room decorated spectacularly with technicolour balloons and glitter. There were bubble machines, glitter cannons and club visuals as a backdrop, including the BFLF logo which is a cheery, lime-green take on the discernible smiley icon. The glitter cannon spurted out a mass of sparkly ticker tape with one big bang and this elicited a huge cheer from the baby rave massive, and me, as I nearly cried with excitement at the sheer joy of BEING OUT SOMEWHERE WITH BEER AND MUSIC.

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Ah, the music. BFLF don’t mess about with the tunes. There’s no iPod on shuffle or muffled Spotify playlists from a tinny device here. The heartbeat of a BFLF event is a live DJ spinning an eclectic mix of dance music - like house, rave, hip hop, ska, techno, disco, UK garage, drum’n’bass, dubstep, grime - and big names such as J Food, Mixmaster Morris, Hatcha and Slipmatt to name many. At The Bedford, it was DJ Eddy Temple-Morris who treated us to deep baselines and whose highlights for me personally included  Origin Unknown’s Valley of the Shadows and Dead Prez’s It’s Bigger Than Hip-Hop. I got a little too excited by NRG’s I Need Your Lovin and if Evan was old enough he definitely would have been embarrassed.

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Taking a break from dancing and embarrassing myself so my husband could glide through the bustling crowd and let loose on the dance floor, I went for a mooch around. I discovered a craft area with themed crafts, a giant colouring mural and play-doh table, a homemade cake stall with delights from Captain Cookie and a Villa Pia baby chillout with soft mats beanbags and ball-pool. I also stopped by the bar where two Dads had their daughters propped up on said bar, a baby in one hand and a beer in another, and were reminiscing about Bagleys in Kings Cross before Granary Square and gentrification arrived. As Eddie played another cracker, an overexcited Dad yelled ‘TUNE!' enthusiastically to his friend and I fought the urge to shout back in agreement.

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When I was a 20-something I hated it when the night was over and I’m no different now as a 30-something. Sadly it was nearly time to go home. We used to be 24-hour party people but now we must adapt and, thanks to BFLF, we’re 2-4 hour people. As the last tune played out, a marvellous parachute dance took place on the dance floor as Evan chewed on his glowstick and a bunch of scarily-cool young girls attempted to flog me a glowstick for one pound, the entrepreneurs of the future right there.

We put on our raving shoes and boarded the car, and miraculously my little fish slept all the way home back to E17. Me and my big fish Alex reminisced about our clubbing days and played Ratpack at a volume so as to be frivolous but not wake the baby.

BFLF work tirelessly to make sure each event is unique and this party was no different. It’s been described as ‘responsible irresponsibility’ and I think this is a fitting portrayal. It was quirky, loud-enough-to-be-fun-but-still-at-safe-volume-levels and a massive great heap of fun. I‘d read some reviews of the event for blog research and a 6-year old BFLF first-timer said it was, simply, “the best day of my whole life”.  I’m with the 6-year old on this one.

There were so many things I loved about Big Fish Little Fish; the music, seeing Evan grinning and looking around in wonder and dancing to old rave tunes. On reflection though, what I really loved the most was the opportunity to be out-out with my husband. To be like our old selves again, to be people as well as parents. Being sleep-deprived and passing like ships in the night, it’s so hard to carve out time for ourselves to laugh, dance and feel liberated. BFLF let us do that on a Sunday February afternoon in Balham and we had a blast.

I highly recommend it. Go get your rave on. 

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A Sentence a Day - 2 February 2017

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In 2017 I will be writing A Sentence a Day. You can read more about why here.

Today is the 2 February 2017.

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Question:

Which famous living person would you like to have dinner with?

Answer:

It's predictable for those who know me, but I'd say Madonna; she's not everyone's cup of tea but she's had the most incredible career to date and her music and style will always be iconic.

A Sentence a Day - 27 January 2017

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In 2017 I will be writing A Sentence a Day. You can read more about why here.

Today is the 27 January 2017.

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Question:

What is one thing nobody knows about you?

Answer:

I retain lyrics after only one or two listens of a song and, consequently, I fancy myself as a bit of a rapper; Nuthin' but a 'G' Thang is one of my specialities.

Leena Ojala - Little Place (Saturday, Monday Remix)

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I’m always keen to give a shout out to fellow Londoners, especially creative ones who make really good stuff. This this time around it's musician Leena Ojala.

Pronounced "Leeyna Oyala" the indie electronica artist has drawn comparisons to Adele and British singer-songwriter and electronica artist Låpsley but fully deserves to be recognised in her own right. Fortunately, praise has been bestowed by Fader, CLASH and IDOLMagazine amongst other credible publications and she was recently a featured artist on Spotify's Fresh Finds Hiptronix playlist.

A stand out track of Leena’s is the haunting Little Place. Produced by platinum-selling Benbrick (Paul Carter), it was given a beautiful visual accompaniment earlier this year in a video shot by renowned London-based director Aella Jordan-Edge in NYC. Leena’s probing lyrics and understated melodies are brought to cinematic life in the video, which visualises a young couple facing major change, and takes the viewer on a journey across Brooklyn Bridge, the back alleys of Manhattan and the enticing sands of Jacob Riis Beach.

The track is strong enough in its original guise, but a few weeks back it was treated to the dance effect by Swedish producer, fellow Londoner (another one! We are clever clogs aren't we) and Zane Lowe favourite Ludvig Parment AKA Saturday, Monday. Saturday, Monday has remixed acts like Naomi Pilgrim, Elliphant, Little Dragon - and now Leena Ojala - and has been described by DIY magazine as “a master of multiple guises”. He has also collaborated with the likes of Steve Angello, Pell and Hayley Kiyokoto and if you’re not familiar with his work then check out Headshake feat. Julia Spada for a delectable taster. *plays on repeat*.

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Definitely worth checking out, this remix of Leena Ojala’s Little Place has diversified my Spotify playlist and given it a welcome lift. Electronica is not usually my immediate go-to genre, but this has opened my eyes a bit wider. An instantly catchy introduction, a haunting vocal and tight production make this a keep-on-listening kind of tune.

If you like your electronica blended with an 80s-infused vibe and take inspiration from Steve Nicks, London Grammar and Kate Bush then check out Little Place. Oh, and Leena’s debut EP, simply titled EP1, should be on your playlist too.

You can listen to the remix here

What are you waiting for?

Leena Ojala

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Saturday, Monday

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Gary Clark Jr. - Music To Heal

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My favourite album at the moment is nine months old, so I’m rather late to the party (timekeeping has never been my thing you see) - although this party shows no signs of slowing.

The record was released in September 2015 but thanks once again to Jazz FM and their superior playlist I heard them play an album track one weekend and frantically Googled the words ‘I will shoot you down, in cold blood’ to bring the song to life (which admittedly would look really dodgy if someone poked around my search history).

The artist is Gary Clark Jr. The song was Cold Blooded. The album is The Story of Sonny Boy Slim and for the unenlightened, I’d strongly advocate you take a listen. 

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A bit of background stuff. Gary Clark Jr. is an American guitarist, singer and actor based in Austin, TX - the Live Music Capital of the World and a city I've developed a bit of an obsession with over the years by virtue of its rich music, culture and arts scene. My interest was further fuelled after watching episode four of the Foo Fighters documentary, Sonic Highways, which featured Clark Jr. and examined the foundations of Austin’s live music scene.

The polymathic Gary Clark Jr has been hailed as “the savior of blues" but also specialises in hip hop, funk, jazz, soul, country and garage rock to name a few styles. His breakthrough record was Blak and Blu in 2012 but it was the sophomore album and genre-spanning The Story of Sonny Boy Slim that shone a light on his accomplished guitar playing and indisputable cadence.

Known for magnetic live performances (he was awarded SPIN Magazine's Golden Corndog award for performing in more major North American Music Festivals in 2012 than any other musician on the planet), he has shared the stage with a dazzling array of musical virtuosos including Jimmie and Stevie Ray VaughanB.B. King and Buddy Guy. In 2014, he worked with Foo Fighters on the track What Did I Do? / God As My Witness from their epic Sonic Highways album and was the very special guest of the band when they performed the track on Austin City Limits.

The Story of Sonny Boy Slim showcases Clark Jr.’s musical versatility and expressive voice, and is all laid-back melodies and killer guitar riffs that fizzes with substance and style. My favourite tracks are BYOB, Can't Sleep and Shake (released as a trifecta complete with a super cool video trilogy), Stay and Our Love but I’ll let you discover your own.

On 26 June, he performed on the West Holts Stage at Glastonbury Festival and plays London’s Brixton Academy on 29 June for what will no doubt be an electric set. I’m gutted I won’t be there, but if anyone is going I’ll happily settle with living it vicariously through you.

On the album’s kickoff track, The Healing, Clark Jr. declares with intensity “This music is my healing” and then in the reprise he repeats the line but changes the word “my” to “our". I’m a great believer that music can provide solace, an escape when things get tough. So, in these hugely turbulent times we find ourselves in with the country unsettled and divided you could do worse than listening to Gary Clark Jr. over a beer or two.

Let music be our healing.

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