We're Raving, We're Raving

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Since our baby Evan was born life has been inevitably tumbled upside down. Late nights and bar hopping may have been replaced with even later nights and hopping from his bedroom to ours as we pray sleep will come soon, but I’ve thrown myself into parenthood head first and love every minute of it.

Yet since weathering the storm of the insane newborn days and finally mastering the introduction of solid foods (I NEVER WANT TO SEE A SWEET POTATO AGAIN), I’ve been relieved to discover it’s just about possible to do some of the old stuff we love to do with our little man in tow - just a slightly pared down version of it.

We’ve viewed some Bourgeois at the Tate Modern. We’ve pelted around breathlessly at Buggy Fit. We’ve perfected our downward facing dogs at Mums and Babies Yoga. Evan has even accompanied me to an interview on assignment for music magazine RockShot, for which I’m a contributing writer. But we’re yet to combine our love of raving/dancing/going to NIGHTCLUBS* with our love of Evan assuming, quite reasonably, that the two did not mix. (*I’m pretty certain they’re not called that any more).

Until now that is. A few weeks back we were invited to a Big Fish Little Fish event in my original ‘hood, South London, and we literally jumped at the chance. 

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BFLF is an award-winning event that gives adults the opportunity to take a break from the norm and ‘rave on’ with their family. It’s a creative and exciting music and dance party for the post-rave generation of parents with children aged between 0-8 years old. Not only can you expect big name DJs, fancy dress themes, a licensed bar and club visuals, there’s free glowsticks and transfer tattoos, a licensed bar and baby chill out areas. Oh, there’s also a licensed bar. Did I say that already?

It’s the brainchild of founder Hannah Saunders who realised there was nothing to take her children to that would be relaxing, entertaining and daft but also where the adults could enjoy themselves as much as the kids. Don’t get me wrong, I genuinely love taking Evan to the Toy Library but sometimes there’s only so much Five Little Ducks you can take in one week. By blending their experience of being seasoned clubbers and parents, the BFLF team have grown the event from a monthly party in Brixton in 2013 to a major player on the family arts scene and an expanding force to be reckoned with. It takes place in large cities all across the UK, at special events such as at Selfridges on London’s Oxford Street and this year will see them take their mini-festival experience to Camp Bestival.

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BFLF is always held in interesting and quirky venues and for our Sunday afternoon rave, we headed off to The Bedford in Balham, an old haunt of mine known for comedy and live music as well as booze. The main gig took place in The Globe Theatre, shaped “in the round” which is a remarkable space and the perfect setting for a party.

On arrival and once we’d made use of the baby change available (Evan makes me work for my free time), I literally could not believe my ears and eyes. The dance floor was illuminated and the room decorated spectacularly with technicolour balloons and glitter. There were bubble machines, glitter cannons and club visuals as a backdrop, including the BFLF logo which is a cheery, lime-green take on the discernible smiley icon. The glitter cannon spurted out a mass of sparkly ticker tape with one big bang and this elicited a huge cheer from the baby rave massive, and me, as I nearly cried with excitement at the sheer joy of BEING OUT SOMEWHERE WITH BEER AND MUSIC.

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Ah, the music. BFLF don’t mess about with the tunes. There’s no iPod on shuffle or muffled Spotify playlists from a tinny device here. The heartbeat of a BFLF event is a live DJ spinning an eclectic mix of dance music - like house, rave, hip hop, ska, techno, disco, UK garage, drum’n’bass, dubstep, grime - and big names such as J Food, Mixmaster Morris, Hatcha and Slipmatt to name many. At The Bedford, it was DJ Eddy Temple-Morris who treated us to deep baselines and whose highlights for me personally included  Origin Unknown’s Valley of the Shadows and Dead Prez’s It’s Bigger Than Hip-Hop. I got a little too excited by NRG’s I Need Your Lovin and if Evan was old enough he definitely would have been embarrassed.

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Taking a break from dancing and embarrassing myself so my husband could glide through the bustling crowd and let loose on the dance floor, I went for a mooch around. I discovered a craft area with themed crafts, a giant colouring mural and play-doh table, a homemade cake stall with delights from Captain Cookie and a Villa Pia baby chillout with soft mats beanbags and ball-pool. I also stopped by the bar where two Dads had their daughters propped up on said bar, a baby in one hand and a beer in another, and were reminiscing about Bagleys in Kings Cross before Granary Square and gentrification arrived. As Eddie played another cracker, an overexcited Dad yelled ‘TUNE!' enthusiastically to his friend and I fought the urge to shout back in agreement.

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When I was a 20-something I hated it when the night was over and I’m no different now as a 30-something. Sadly it was nearly time to go home. We used to be 24-hour party people but now we must adapt and, thanks to BFLF, we’re 2-4 hour people. As the last tune played out, a marvellous parachute dance took place on the dance floor as Evan chewed on his glowstick and a bunch of scarily-cool young girls attempted to flog me a glowstick for one pound, the entrepreneurs of the future right there.

We put on our raving shoes and boarded the car, and miraculously my little fish slept all the way home back to E17. Me and my big fish Alex reminisced about our clubbing days and played Ratpack at a volume so as to be frivolous but not wake the baby.

BFLF work tirelessly to make sure each event is unique and this party was no different. It’s been described as ‘responsible irresponsibility’ and I think this is a fitting portrayal. It was quirky, loud-enough-to-be-fun-but-still-at-safe-volume-levels and a massive great heap of fun. I‘d read some reviews of the event for blog research and a 6-year old BFLF first-timer said it was, simply, “the best day of my whole life”.  I’m with the 6-year old on this one.

There were so many things I loved about Big Fish Little Fish; the music, seeing Evan grinning and looking around in wonder and dancing to old rave tunes. On reflection though, what I really loved the most was the opportunity to be out-out with my husband. To be like our old selves again, to be people as well as parents. Being sleep-deprived and passing like ships in the night, it’s so hard to carve out time for ourselves to laugh, dance and feel liberated. BFLF let us do that on a Sunday February afternoon in Balham and we had a blast.

I highly recommend it. Go get your rave on. 

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Highlight of 2015: Collaboration with RockShot Magazine

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Happy New Year and here's to a happy, healthy and positive 2016.

One of my personal highlights of 2015 was watching Material Whirl grow and to collaborate with online music Magazine, RockShot. You can read my profile and my work to date here:

http://rockshot.co.uk/dir/author/nicola/

RockShot has a wonderful team of regular contributors including journalists, photographers, interviewers, bloggers and reviewers with an emphasis on high quality writing and photography. I'm very lucky to be part of the team.

I've been fortunate to channel my love of music into something very tangible and widely read. Highlights have been an interview with the beautiful and engaging Saffron from Republica, a heady trip on the London Eye with the legendary Don Letts, interviewing and meeting the supremely talented Victor & the Rain Dog, and a memorable gig with the awesome Harry Pane, whose year will most certainly be 2016.

I survived (and loved) the meaty Grillstock Festival and covered and discovered some amazing acts, and spent a whole weekend at Love Supreme Festival soaking up the sun, the incredible lineup and the plentiful cider.

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After all that, I took a breather at Backyard Cinema in Camden Market and put my feet up with an Al Fresco big screen, (veggie) Burgers and Beer.

Check out the links within this post for my write up and some very high quality event photography courtesy of RockShot's team who take much, much better photos than me (the images here are my own!).

Thank you RockShot.

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I look to Kate

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I am Kate Moss's secret stalker. I am obsessed with her. I think I'm just like everyone else because we all wish we were one of her best friends - but we're not, so all we can do is wonder what that must be like.
Sarah Jessica Parker, Grazia UK, 13 January 2014

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Kate Moss turns 40 this Thursday.

Ordinarily, that kind of news would induce a bit of a gloomy episode on my part. When one of your fashion icons, who fully deserves that often hackneyed label, advances in age and only a five-year gap separates you, cold hard reality reminds you are no spring chicken yourself. Where has the time disappeared to?

But instead, as Kate (I can't do 'Mossy' - way too impersonal for someone so enigmatic) prepares to celebrate reaching this fabulous milestone, reportedly on Necker Island, I am instead full of mirth, buoyant and commemorative. I am chilling the bubbles, dusting off the credit card, sharpening the old black kohl, digging out my skinny jeans and wearing a vintage cape in her honour. You can bet Kate will not let something as silly as becoming a quadragenarian get in her way of out-partying everyone with conviction and looking completely stunning in the process. Standard.

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Kate has been at the top of her game since her iconic cover of The Face in 1990, photographed by the late Corinne Day. I have followed her style, her life, her loves and her London partying religiously ever since. She remains an inspiration to me, and if the truth be told, a mild obsession as I try my hardest to emulate her look - commensurate to my bank account and day job. She has crammed quite a lot into her 39 years to date and I am fascinated by the multi faceted roles that she plays. Supermodel, muse, designer, mother, lover, wife, friend, Londoner.

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She remains suitably mysterious and elusive, keeping a tantalising silence and letting the photos do all the talking. She made the decision not to talk to the press, to never complain and to never explain. This is wonderfully refreshing in the age where younger models incessantly tweet, share and Instagram their selves to over-exposure. Conversely, Kate keeps us guessing, wanting more, secretly Googling, scouring Vogue and YouTube for the latest sighting to get a glimpse of what she is wearing, how she is wearing it, where she is.

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Kate is my life / style comparator, my benchmark, my litmus paper if you will.  I look to Kate when I am considering my outfit choice in direct ratio to my age. Whether my clothes, behaviours and actions are age-appropriate if you like. For example:

  • Question: Am I too old to wear leather trousers/shorts/jackets?
  • Question: Will I look a total berk wearing over-sized sunglasses during the day?
  • Question: Is my skirt too short?
  • Question: Should I STILL be going to festivals, planning my outfit months in advance and wearing shorts that risk minor bum-exposure?
  • Question: Should my skinny jeans be banished to the back of the wardrobe now, in favour of something a bit, um, looser?
  • Question: Have I drunk too much given it is 3pm in the afternoon? On Sunday.
  • Question: Am I too old to have numerous piercings, and in particular a helix piercing on both sides?
  • Question: Will people think I am ridiculous, shallow and a bit eccentric for falling out of a bar whilst wearing a sparkly 1920s cape?
  • Question: Should I now be shopping in Hobbs/Reiss/Coast rather than hunting around vintage stores, wearing gig t-shirts, skinny jeans and studded boots?
  • Question: Should I save for a sofa rather than going away on holiday again /taking a city break?

Answers:

No. Kate would do it, or is doing it now, right this minute. Proceed.

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That is the thing with Kate. She wouldn't even hesitate, she wouldn't care if people looked, nudged their mate, tutted, raised their eyes to heaven. She would just go ahead and do it. Admittedly, she is a supermodel with a sizeable wedge of cash in the bank and invested in fancy properties. Yes, she has a killer body and a hairdresser, stylist, makeup artist and dermatologist at her beck and call; but you see this is about attitude, this is about being.

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Part of the appeal is that Kate permanently looks like she is on a bit of a bender. She is bohemian, debauched Rock 'n' roll hedonism immortalised. She is just too cool. She is incredibly beautiful with glowing skin and hair, yet it is her imperfections that make her even more stunning. She has always been a bit of an exception to the rule; just slightly below the standard model height, drinks and smokes liberally, possibly does not get that much sleep - but the endurable Kate carries on regardless to spectacular effect - and so she should. She is Kate Moss.

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Twenty five fabulous years have come and gone.

Happy Birthday Kate, may the party continue long into the night (and the next day).

My favourite shots of Kate can be found in Vogue's Style File - Kate Moss.

Love Supreme Festival, Glynde Place, 5-7 July 2013

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This weekend me and Mr Material Whirl went to the inaugural Love Supreme Festival, Jazz FM's first foray into the festival scene with a boutique, greenfield experience. And what a debut it was. Set in the idyllic grounds of Glynde Place in East Sussex and sheltered comfortably by the glorious Sussex Downs, even the perfect weather couldn't top the impressive world-class bill that featured Gregory Porter, Chic, Soweto Kinch and Jools Holland to name a few. Which I will, later.

Friday night began very nicely with DJs Chris Philips and Jeff Young in The Arena with Jazz FM's now legendary club event Funky Sensation - we all had a bit of a dance to classic jazz, funk, disco and soul and looked giddily ahead to two days of music and festival capers. Pru Fiddy, who took the reins from Jeff, knew where we were coming from - she looked like she was absolutely loving it. A slight mix up with the festival shuttle bus on our part (err, there wasn't one until Saturday) meant a possible stranded-in-Glynde-situation but we carried on dancing regardless and jumped in a late taxi back to Brighton with some other poor souls who hadn't planned properly either. No mind, we were tipsy and happy and the music was already working its magic.

Festival proceedings were kicked off good and proper on Saturday as the sun beat down fiercely on Glynde giving everything a gorgeous sienna glow. The vibe was friendly and up for it and the multi-age crowd smart but unpretentious. The ubiquitous festival food stalls were there (I had a pie every night. Yep, that's three pies) and some great vintage clothes stalls and record and book stores when we fancied a wander in between tunes.

Naturally, festival style fascinates me and Love Supreme gave good fashion-off. It was a real mixed bag; my favourites being festival brights, neon lips and plaited hair and some beautiful vintage skirts, African prints and sawn-off denim shorts with Navajo boots.

But ultimately we were there for the music and as expected from Jazz FM, it didn't disappoint bringing us a celebration of inspirational sounds. The line up included a dazzling selection of US artists and homegrown British talent that held its own amongst the big jazz guns. Highlights for me included the soulful singer-songwriter Michael Kiwanuka, and Chic with Nile Rodgers, resplendent in white suit, and who blessed the crowd with a steady flow of iconic disco classics. Gregory Porter's gorgeously honeyed voice and super tight band deeply wowed us and the rest of the crowd, with a set that effortlessly combined the exquisite mellow sounds of 'Be Good (Lion's Song)' with the glorious '1960 What?' that had the loyal crowd shouting back to the great man 'Ain't no need for moon light...' with fervour. Sadly we couldn't get in to the Big Top to see Courtney Pine as he was too popular and it was too squished but we caught the end of Soweto Kinch who had the crowd of all ages up on their feet.

Surprises for me were Charles Bradley & His Extraordinaires and the stunning self-taught singer-songwriter from London, Andreya Triana, who performed a beautifully raw and classy set to a packed Arena in killer print top and trousers. Woozy on her incredible voice and liberal after a few pints of crisp sun-drenched cider, my husband yelled out 'You're f**king amazing!' to which she endearingly responded 'You're bleeping cool too, dude!' and we all laughed and got lost in the hypnotic music.

The most memorable bit, arguably after a few more ciders (there is a theme here), was the Grand Marnier Hidden Charm secret space. Jools Holland and His Rhythm & Blues Orchestra were doing what they do best and putting on a fine show with special guests including Gregory Porter and Roland Gift, but we were in need of another refreshment. Love Supreme promised that behind the elegant Parisian facade, a land of flamboyant characters, delightful drinking, music & joie de vie awaited us... and as we stumbled in we weren't disappointed - wow, what a way to end a cracking festival. The cocktails were indeed delightful, bar staff flamboyant but super friendly and the music supplied by DJ NoisseS was outstanding. He played an exquisite set fusing a multitude of sub-genres including hip hop, soul, reggae, funk, jazz and ska. Skilfully mixing The Notorious B.I.G., Musical Youth, Tom Jones and DJ Zinc to extraordinary effect, this was for music lovers of all ages and preferences. Incredible.

Sadly, the sun had to go down on Love Supreme's debut, and we made our back to London reluctantly and not really ready to leave (although my body cannot take any more booze or food consumed from a box for at least a few weeks). John Fordham writes in The Guardian that 'promoters Jazz FM and their partners may find they have invented the British jazz world's Glastonbury' and so if it that's the case I'm glad I was there to experience what I hope will be the first of many more to come. As Chic say, these are the good times.

 

Jazz FM's Love Supreme Festival was held at Glynde Place from 5-7 July 2013
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http://www.lovesupremefestival.com/ 
http://www.jazzfm.com/

Coachella Dreaming

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Oh, Coachella, you tease.

How you tempt me from the bright screen of my iPad and from the sun-filtered travel page of this weeks' Stylist magazine (via Anita Bhagwandas' envy-inducing review). It is spring here in the UK, but us poor British lambs could be mistaken for thinking that we are in the depths of sludgy winter. I am tired, still a bit chilly at night and desperate to wear coral tones, skirts without tights and Sophia Webster sandals. Instead, it's more M&S black opaques.

Mostly, I just want to be at Coachella - hedonistic and hot in the desert, drinking cocktails and California dreaming. Palm Springs' famous music and arts festival, less than a 2-hour drive from downtown LA, has fascinated me for some time now. Not just for its eminent line up and cool crowd packed with the who's who of the music and film world (oh, hi Beyoncé and Jay-Z) , but because as Anita rightly points out it is where fashion trends are born and where I always look for inspiration in advance of my own UK summer festival schedule.

This year's line up is dominated by the Brits - Alt-J, Blur, The Stone Roses, Biffy Clyro (who Material Whirl recently saw live in London and would like to see again) and Ben Howard to name but a few. Add a huge dollop of warm sunshine, fruity drinks, Coachella Safari Tents (exclusive fully furnished Shakir style tents with aircon, access to restrooms and showers and breakfast/late night snacks to name a few benefits) and I imagine it to be the chicest, dreamiest, trendiest festival I've never been to.

lineup-poster.originalI am very excited to see what trends the festival will set this year -  here's my favourite classic Coachella looks to date, with Solange being a definite favourite.

In a moment of giddiness after being spurted up from the Victoria Line this morning, I announced on Facebook that I really, really want to go to Coachella if anyone wants to take me and thanked my friends in advance. No one has responded to date.

I'm still up for it.

http://www.coachella.com/

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