Citrus Sun - Under The Bridge, London, 17 April 2014

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Oh, I do love a pre-Bank Holiday gig.

Easter's right up there as my favourite Bank Holiday weekend ever.

It's not as gluttonous as Christmas, bar the odd Creme Egg or two (ten). Not as pressurised as the last-hurrah-before-winter August one that forces you grudgingly outside despite it being a bit nippy, and more fun than so-so May. It's an extended break packed full of family and friends, with added chocolate.

Anyway, I digress. Gig.

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Live music on a Thursday, especially one preceding a few days off work, is my new favourite thing and Citrus Sun performing at Under the Bridge proved to be the perfect opener to the Easter celebrations.

For those who need acquainting, Citrus Sun are an eight-piece band founded by Incognito's Jean-Paul ‘Bluey’ Maunick, featuring renowned guitarist Jim Mullen and Incognito's very own rhythm section. Their music is contemporary jazz-based, the sound described by Bluey as "more sparse, as it features the sole trumpet reminiscent of the late Donald Byrd, and there is a cool Latin jazz flavour on some of the cuts”.

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Under the Bridge is a great little venue tucked discreetly beneath Stamford Bridge, with a great sound system for amplified soul and framed photos of eminent musicians lining the walls. Jazz FM's Jeff Young warmed up effortlessly and got the cheerful crowd in the mood as they milled in and took their positions.

Bluey, his usual affable and very cool self, introduced the opening act, Francisco Sales, by describing his sound as "of real beauty". The young musician/composer who perched on his stool shyly, tuned his guitar and truly did produce a sound of real beauty; a clear, smooth acoustic tone. With tracks from his debut album available soon, he moved seamlessly between emphatic strumming and a more ethereal, mellow sound, using a loop pedal to great effect. One to watch.

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With everyone suitably warmed up and refreshed (thanks easy-access bar), Citrus Sun took the stage. Bluey spoke of the 'legend' Jim Mullen - giant of British fusion jazz and jazz funk - and that the project was born of his love of Mullen's music and his desire to be part of a band with him. He introduced Mullen, Valerie Etienne (Jamiroquai) on vocals and the Incognito rhythm section and with that the show had begun.

This was the launch for Citrus Sun's sophomore and largely instrumental album, People of Tomorrow (Dome Records), and the first song was the opening track from the album, Mais Una Vez (One More Time) with a light and breezy jazzanova feel. What's Going On showcased a rich, beautiful vocal from Etienne, as did a cover of the late Terry Callier's What Colour is Love, with whom Bluey worked with as a producer on several tracks and Mullen toured and recorded with. In my humble opinion, going to a Jazz FM gig is a musical education for the unacquainted and my mind is always opened.

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The mid-tempo, latin-jazz feel was unabashedly evocative of Incognito, which Bluey acknowledges in saying that "at times it is obvious that this is the Incognito rhythm section and for that we make no excuses, instead celebrating the fact that this is a new project by the same band with me at the helm.  Cooking with Walter (reportedly inspired by Breaking Bad - for the fans) really got the crowd dancing and funked up the atmosphere. You know it is a good night when even the security staff are dancing, giving it some to Let My Feelings Show, from Bluey's 2013 debut solo album Leap of Faith, co-written with Richard Bull.

Boasting velvety vocals from Bluey and Etienne, distinctive thumbing guitars from the legendary Mullen (readers of this blog will know how cool I think Jim is, after having seen him play alongside Mario Biondi and Guida de Palma and Jazzinho) and the sole trumpet from Dominic Glover, Citrus Sun's set was always going to be tight and consistent, with their trademark fusion blend that straddles soul and groove. On stage, the band were exuberant; Matt Cooper nearly bounced of his keyboard stool and everyone was smiling and dancing in sunny delight.

The Donald Byrd tribute section was undeniably a highlight, and although the Citrus Sun album tracks definitely held their own, this was epic. Etienne's voice was perfection on Wind Parade and Think Twice was effortlessly delivered with added crowd-participation on the 'I really love you, you know I do' lyric.  Change (Makes You Want To Hustle) and Love Has Come Around were skilfully delivered. Bluey admitted that The Mizell Brothers production is like the bible for Incognito, and with their spirited version of (Falling' Like) Dominoes it was clear the band live and breathe music.

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Sadly, all great things have to come to an end. Bluey ended the night emphatically by thanking '"all the radio stations that play tunes like that, and Jazz FM for being able to celebrate with you. Long may you play jazz, soul and funk!" and bowed to his adoring crowd, before Citrus Sun closed the gig with the album's self-titled track People of Tomorrow. It was a triumphant end.

This was a zingy, uplifting gig and as I left there was a palpable sense of 'YES! IT'S BANK HOLIDAY WEEKEND!' and 'WOO HOO, NO WORK TOMORROW!' and 'HURRAH, I CAN EAT UNLIMITED EASTER EGGS!' in the air. Mostly though, it was the cool, sophisticated music that got us all in the mood, ready to celebrate and think of warmer weather and good, good times.

In the words of Bluey, "The Citrus Sun is rising - come catch the sunshine!". 

Now, who could ever turn that offer down?

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The full line-up of Citrus Sun is Jean-Paul 'Bluey' Maunick (guitar and vocals), Jim Mullen (guitar), Valerie Etienne (vocals), together with Incognito members Matt Cooper (keyboards), Francis Hylton (bass), Francesco Mendolia (drums), Joao Caetano (percussion) and Dominic Glover (trumpet).

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Citrus Sun - People of Tomorrow is available via the Jazz FM shop

Guida de Palma and Jazzinho - Rich Mix, London, 28 February 2014

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A drizzly Friday evening in London can get right on your nerves. Travelling across town's a pain what with drip-dripping umbrellas and steamy tubes and buses. Pubs are packed to the rafters. Your hair's ruined, your shoes squelch. You arrive at your final destination flustered, disheveled and in need of something to make it all a bit better.

Luckily then this rainy Friday I was seeing Guida de Palma perform live with her band Jazzinho - the perfect antidote to the weather.

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The gig was highly anticipated after my recent interview with Guida, and I had been listening to the third studio album - Veludo - on repeat the last few weeks to inject some soul into an otherwise sterile commute. Plus, I love the intimacy of Rich Mix. The crowd's cool, the bar's only a quick step away from anywhere and there's usually room to dance.

Femi Temowo - renowned jazz-guitarist, producer, broadcaster and ex-musical director for Amy Winehouse - warmed up in fine style with his hypnotic bass and instantly likeable character. Anecdotes about his Oyster card and tales of Nigeria provided a colourful backdrop to the music. His face etched with deep concentration, he produced a beautifully distinctive sound and played tracks from his critically acclaimed second album Orin Meta. Blackbird by The Beatles performed in the Yoruba language was an impressive cover brilliantly executed. The audience was mellowed, any former memories of hectic work or reminders of gigantic to-do lists obliterated.

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Guida made her entrance elegantly swathed in a gorgeous tan tie-dye patterned dress with a gold collar detail and draped sleeves. With a shout of 'this is for the music lovers' the show began with the track Ready to Feel Again and the crowd instantly responded with appreciation for the bossa and samba infused sounds.

Abraco da Bossa was the first track of the night sang in Guida's native Portuguese and gracefully soulful, and followed by April's Fool. Her enthusiasm on stage was infectious and the music so uplifting that the crowd joined in willingly when invited to participate. Guida spotted me in the audience and, mid-flow, called out 'Hello Nicola!' which, I can't lie, was pretty special.

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Jazzinho is comprised of musicians who have played with an impressive range of artists including Eric Clapton, Incognito and the Brand New Heavies, and so you would expect them to know what they are doing. What you get is a lot more - a tight band that makes exemplary music and it felt like an education as well as a treat to be there. Guida seemed genuinely excited and proud to introduce them - Richard Bailey on drums, Julian Crampton on bass, Jim Mullen on guitar, Graham Harvey on keyboard and Femi Temowo back on bass.

Jim Mullen, effortlessly cool and like his fellow band members a seasoned professional, rocked a tucked-in Blue Note Tokyo - World's Finest Jazz Club & Restaurant T-shirt, and it was the best T-shirt ever. I need that T-shirt.

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With Whispers in the Darkness, written by Luis Barrigas and Guida, she showcased the incredible range of her voice - moving flawlessly from high to low and with both sensuality and strength. She sings in both Portuguese and English, switching masterfully back and forth between the two languages without any jaggedness.

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A vantage point at front of stage afforded me a sneak preview of the great soul legend and artist, songwriter and composer Leon Ware hanging out at the sidelines with Jazz FM's Chris Philips and clearly enjoying the show as much as we all were. A pinch-yourself moment if ever there was one. 

Guida has an inspiring stage presence as well as an incredible voice and Papao, written by Graham Harvey and Guida was an uplifting and jazzy performance.

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When it was time to introduce Leon Ware, Guida described him as 'the man who kickstarted the album, a musical genius, and a lovely man'. He seemed incredibly humble given the enormity of his success that has spanned over six decades. He said he listened to Guida's music every night, embraced her warmly and together they sang the delicious Anglo-Portuguese blended track and samba-embellished A Seed in You, the song that was an instant hit with Jazz FM and given the airtime it deserved.

The show ended on a high with a cover of I Wanna be Where You Are which Leon Ware co-wrote for Michael Jackson and which I have not stopped playing ever since.

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Seeing Guida de Palma and Jazzinho in London goes down as one of my favourite gigs to date and I left with a sense that anyone who didn't know of them or hasn't had the pleasure of being introduced to their music was greatly missing out. This is quality music, tirelessly recorded and passionately performed for music lovers and London (and the world) needs more of it.

After the show I got to meet Guida in person, and she was as warm, enthusiastic and engaging off-stage as she was on it. 
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Alex Lloyd, Head of Live at Jazz FM proudly said on his Facebook page 'Yes that is Leon Ware and Guida de Palma together on stage for the first time ever and at my show. Made it happen.

Proud he should be.

You can read a Jazz FM review of Veludo here

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