Oh, The Places You'll Go! (Plus the bang-ups, hang-ups, and slumps)

In the winter of 2007 I flew ten thousand miles around the world to escape - from myself.

London’s chaotic pace had given me a sense of incompleteness. A busy life, a demanding career and a fast-approaching thirtieth birthday all contributed to a sense of anxiety.

I had contemplated working abroad and the dream was fading like an old photograph. So, I pushed aside my fears and booked a one-way ticket to Sydney, Australia. I was leaving in five weeks.

Those remaining days filled quickly with departures; farewell parties soaked with drinks and emotion. At Heathrow Airport, I left family with tears streaming down my face, entering into an unknown adventure.

On arrival, it felt like the holiday of a lifetime condensed into a few magical days. But as the jet lag vanished and the glitter settled, it was just me for company. I felt an overwhelming sense of panic, realising this was not a vacation and I had no concrete plan. I knew no one and although the blank canvas should have been exciting, it terrified me.

Exploring the sprawling urban paradise, I felt like a lost child instead of liberated. I ambled along sandy beaches painfully self-conscious in my own pale skin. My younger sister Michelle, a long-serving and very tanned Sydneysider was incredible, introducing me to her many friends, showing me all the magical sights and sounds that Sydney had to offer and surrounding me with excitement and opportunity. But I felt completely and utterly lonely. At parties I felt unusually shy, gulping down drinks and trying to find something worthwhile to say. My comfort blanket had been sharply pulled off my shoulders and I shivered with the exposure.

My CV painted a picture of someone I used to be in London, but did not reward me with a job. It rained uncharacteristically and relentlessly. My cash reserve was diminishing but the distance from home seemed to grow every day. Galleries and museums provided solitude but I was drowning in desolation. The anxiety of being judged followed me like a shadow.

I knew people would question how I could feel this way in such a captivating place. I was lucky to have such a beautifully packaged opportunity but I could not find the confidence to unwrap the ribbon. So I searched for an explanation.

The realisation was painful. I was so heavily weighed down with issues I could not swim to the surface to breathe. Years ago, I had chosen not to accept my university place, a decision I regretted. I felt inadequate amongst the high-flying graduates in my life. I compensated by pushing myself too hard, my life overflowing with people and activity with no room for self-reflection. Instead of celebrating achievements, I always felt I had not accomplished enough. These insecurities had boarded the plane with me as excess baggage.

I took each day as it came but did not learn my lesson. Joining a local group, aptly named Get a Life!, was an attempt to broaden my horizons. First up was Book Club in a restaurant in Circular Quay, but my fellow literature lovers were overbearing and pompous. I drank too much wine far too quickly. I fought the urge to shout rebelliously ‘I don’t even like Catch 22! I haven’t even finished it! Ha!’. I decided instead to Get a Life and excused myself to the bathroom and pegged it out of the door as fast as my tipsy legs would carry me. Walking home in the hammering rain, I rang London to speak to my older sister but my credit ran out just as I said hello. Sitting on the steps of the Opera House I sobbed, wet through to my underwear. I wanted to go home.

It got worse. A simple National Park trek turned into a Bear Grylls endurance test. I got lost and did not pass another person for four hours. My foot bled from an unexplained injury and my water ran out. As the sun set, I felt crippled by absolute fear, convinced that I was being followed and that my time was up. This time I had gone too far.

I made it home, exhausted and grubby but determined. I guess you could say it was my epiphany moment. It was time to leave the destructive path I had chosen to follow for so long and make some changes.

I found a flat and a job in the city. I rediscovered yoga and indulged my infatuation for fashion in markets and vintage boutiques. I explored, I made friends, and I laughed a lot. Life began to sparkle again like the sun shimmering on the Pacific Ocean. I saw my surroundings in dazzling Technicolor.

One afternoon in a second-hand bookshop, I stumbled across an advert for a creative writing course. On enrolling, something finally clicked. I had a place to release all the thoughts, good and bad that swam around my head. Words spilled onto my laptop screen and filled endless notebooks.

I quietened the incessant inner voice that told me I was not good enough and allowed myself to feel a sense of accomplishment. I concentrated on building a portfolio of life experiences rather than worrying about a lack of academic achievements. I finally found solace in writing.

Those remaining days filled quickly with departures; farewell parties soaked with drinks and emotion. One night, a friend gave me a Dr. Seuss book called ‘Oh, the Places You’ll Go!’. It struck me how accurately it reflected the journey I’d gone on; around the globe and in my head.

I returned to London changed, but not a finished article. There is still editing to do. As I learned, you can be in the most remarkable place, but if you are living inside your head, you may as well be anywhere.

The experience has shaped me though, and made me realise what I have to do – stop regretting the past and start writing.

In moments of self-doubt I remember Dr. Seuss’ wise words - you have brains in your head and feet in your shoes, you can steer yourself in any direction you choose!

The ultimate role model. Aged four.

Catching up on Lauren Laverne's highly educational Grazia column Lauren Loves... this week I nearly squealed with joy on the tube. Leaping out at me amongst the music, book and deli reviews was a piece on one of my favourite fictional heroines of all time – Matilda Wormwood.

As the train accelerated along the tunnel and the blackness whooshed past me, I felt like I was travelling back through time faster than light. My destination, Downsview Primary School, Upper Norwood, London. The year, 1989.

This was the year I read Roald Dahl’s Matilda and was mesmerised by the story and Quentin Blake’s now instantly recognisable illustrations. I completely agree with Laverne when she describes Matilda as a feminist icon. She is a shy, softly spoken four-year old prodigy whose giant intellect is stymied not only by her despicable parents and her beastly headmistress, but also by her gender.

Matilda is introduced to us by Dahl in the first few pages as The Reader of Books, both sensitive and brilliant - ‘her mind was so nimble and she was so quick to learn that her ability should have been obvious even to the most half-witted of parents’. By the age of one and a half she could talk perfectly using the vocabulary of an adult and at the tender age of three she had taught herself to read newspapers and magazines before moving steadily onto books.

A voracious reader, Matilda’s reading list at the age of four included Dickens, Brontë, Austen, Hardy, Wells, Hemingway, Steinbeck and Orwell to name but a few, which is enough to put any half-witted adult to shame. Including me.

Matilda is constantly told by her gormless and despicable parents, Mr and Mrs Wormwood, that she is worthless and stupid, and overlooked in favour of her very ordinary brother Michael who is taught by his Dad about the crooked second-hand car business simply because he is a boy. Her Mum is no better, a platinum blonde with garishly heavy makeup who thinks ‘looks is more important than books’.

The villainous headmistress Miss Trunchbull, who once threw the hammer for Great Britain in the Olympics and uses children to practice on, deliberately holds Matilda back and observes that ‘a bad girl is far more dangerous a creature than a bad boy’ and ‘Nasty, dirty things , little girls are. Glad I never was one’. All of this leads to Matilda wanting to get her own back and she discovers a psycho-telekinetic power that allows her to move stuff around and spook out her parents and Miss Trunchbull. And this is where the fun really begins.

Dahl’s storytelling is mischievous and comic and Matilda is laugh-out-loud funny. The book contains all the usual Dahlian humour and gruesome words that we knew and loved (blisters, scabs, grubs to name but a few). Who can possibly forget the hat and the superglue, the boy who got his finger stuck up his nose and Bruce Bogtrotter and the chocolate cake? It is also sprinkled with unexpected episodes that you can appreciate even more now you’re a ghastly grown-up; smatterings of Dylan Thomas poetry and a frightful episode involving her despicable father and a library copy of John Steinbeck’s The Red Pony.

Another reason why Matilda is so special to me is because my primary school class put on a production of Dahl’s classic for our last ever play. If my memory serves me correctly our pleas to our brilliant teacher, Mrs Mohtashemi (our very own version of Miss Honey) to perform Grease were sadly turned down due to budget and creative restraints (disappointing, but slightly ambitious to turn our school hall into the backdrop for an American high school complete with bleachers, a beach, a drive through movie and a fairground but hey, we were always told to aim high).

So Matilda it was and preparations began. Casting completed, Mums drafted in to perform miracles with makeup and costumes, Dads on prop duty, and dress rehearsals out the way, it was time for the show. In what was to be Class Seven’s final production, we acted our hearts out and treated a packed audience (parents, siblings, teachers) to a rollicking musical production which brought the house down and had the audience crying with laughter. There were tears too; we were growing up and moving on to big school (which we all secretly hoped would be nothing like Crunchem High School and that there would be no such thing as The Chokey).

I nervously made my acting debut as Matilda, finally making the break away from previous roles including Nativity Narrator and Recorder Player. My little sister Michelle opened the show as baby Matilda (wearing a nappy, which would never have been allowed in 2011 but was completely acceptable at the time. Sorry Mich.) Ben Crompton played Michael, playing up to the audience with painted on freckles and missing front teeth as he sucked up to my Dad and stuck his tongue out at me. David Whitcher was my miserly, mean crook of a Dad, accessorised with fake bald patch, garish jacket and tie and measly moustache. Devika Gayle played my Nan in Dame Edna Everage glasses and chic pearls and hand bag and Sarah Watkins was the school nurse. Then there was Tessa Xioutas, totally splendid as my mum and surgically enhanced with the use of some very clever props and Dolly Partonesque hair.

Michael Norris was the great talking parrot Chopper, perfecting his talk and squawk to a tea in full rainbow-coloured feathers and tights. Christina was absolutely terrifying as Miss Trunchbull, even the parents were a bit scared, and brilliantly humiliated my fellow classmates throughout the entire production - a class that included Suzy Ackerman, Anthony Foulds (who gave an Oscar-worthy performance as Bruce Bogtrotter with the cake), Jenny McKinlay, Tansel Omer and Viresh Patel looking super cute in bunches (girls) and school shorts (boys).

Tania Gornall, Jonathan Duffell, Katy Fraser and Ryan El-Alfy (RIP, always) were grease-smudged mechanics at Wormwood Motors and did a hilarious and faultlessly choreographed rendition of You Can’t Get Better Than a Kwik Fit Fitter. Definitely not least, Demis Andreou was Doctor Procter in a suit and tie and the obligatory briefcase and Beena Savadia the poor Cook who played an unwilling part in the Bruce Bogtrotter incident.

My heart was broken into little pieces when Matilda finished its long serving theatrical run (one night) and I left Downsview; leaving behind something so very special. A blissfully happy, innocent time full of fun and laughter and amazing classmates and teachers that I knew even at that age I would find hard to replicate again in my life.

Fortunately, and rather uniquely I think, I am seeing Mr Wormwood, my brother, some of the mechanics at Wormwood Motors, my Nan, Doctor Proctor, the talking parrot and the rest of the cast and crew again in 2012 for the next instalment of our Downsview reunion. We are older and a bit more world-weary now, but it is still magic when we meet.

Matilda left a lasting imprint in my mind - the book ultimately celebrates intelligence and good teaching but for me it conjures up a great cluster of emotions just by turning the page.

Yesterday I purchased a fresh new copy of Matilda and I had to resist the urge to write Nicola Greenbrook-Kirby, aged 33 and 2 months in the inside cover in large childish scrawl. On the front cover is Matilda, sat atop a pile of books in a simple cobalt blue long-sleeved shift dress (a nod to minimalism and capturing fashion’s current flavour for the Sixties), the eponymous heroine who was on trend even at the age of four. If you haven’t read the book since you were a little sprog or have never read it as a revolting adult, please do, you are in for a real treat. Published in 1988, Matilda is the biggest seller amongst all of Roald Dahl’s books for children. In Britain alone, half a million paperbacks were sold within six months.

It is a funny, warm and intelligent story which sends out an empowering and brilliant message that it is OK to want to be clever and better and not have to look good, just because you are a girl.

What a marvellous medicine to swallow.

Meeting Manolo Blahnik...and a very nasty bump on the head

The night I met Manolo Blahnik was one to remember for lots of reasons.

When I heard he was in discussion with Colin McDowell at the marvellous Design Museum, I simply could not let this momentous fashion collaboration pass me by. My interest in the legendary McDowell’s fashion journalism has picked up pace over the last few months and like many others from the Sex and the City generation, I adored Blahnik’s coveted shoes – this wasn’t just footwear after all, it was art.

I snapped up a ticket and waited with anticipation. As I made my way along Butler’s Wharf that cold night to the beautiful ghost white building, I allowed myself, just for a moment, to feel a little bit like Carrie.

Mr Blahnik did not disappoint. I was left spellbound by the man as well as the shoes. Looking resplendent in a spotted bow tie and amethyst suit, he joined his friend McDowell on the stage to discuss his fascinating life and career to date. He disclosed the inspiration for those exuberant shoes and gave the audience an exciting insight into the Manolo behind the magic.

I sat eagerly in the small and intimate audience as he led me on an educational journey into the gorgeous world of fashion; the moment in time when he was introduced to Diana Vreeland, former editor of US Vogue, in 1971 and was instructed to ‘go make shoes’. In 1972, he worked for Ossie Clark in London where his shoes were sought after by Grace Coddington and Jane Birkin to name but a few and where he collaborated with Jean Muir.

I watched in awe as he sketched incredible designs there and then with the image projected live onto a screen for the audience’s pleasure. My favourite, a beautiful purple court shoe with a huge bow, was drawn with perfectly natural ease and flair. I was mesmerised.

I did not want the discussion to end, but sadly it had to. As the conversation came to a close, I joined a long line of eager fashion fanatics, awaiting the chance to meet him and take away a personally signed copy of his exquisite book Manolo’s New Shoes. After what felt like an hour, at last I found myself facing the great man.

He smiled graciously, a huge warm grin, and thanked me for waiting and coming out into the cold evening to see him. I had purchased two books, with one for my Mum as a birthday present and he signed both, his huge, animated writing leaping off the page. He asked for my Mum’s name and smiled and wrote, Linda, you have a beautiful daughter. I bet he said that to all the ladies, but nonetheless, he charmed me right out of my shoes. He was enchanting.

After dinner, I floated home. On the tube I looked over the sketches in the book, thinking constantly about the great man and what I had learnt that evening. As I slipped dreamily into a taxi, still on a wonderful high and planning just how I could save up to buy those beautiful purple courts, something rather disastrous happened. I misjudged the distance between my head and the taxi door and the two met with a huge CRACK.

The taxi driver asked if I was OK and I laughed it off and said I was and thanked him for his concern. I rubbed my sore head and ignored the pain, not wanting to ruin the wonderful evening I had experienced.

I made it into work the next morning, took some painkillers and battled through meetings and deadlines. It was only when I started to slur my words and experience tingling in my arms and legs that I suspected this wasn’t just the Blahnik-effect. I was rushed into a taxi by my Manager to A&E and after a feel around the large bump on my head, the diagnosis was delivered. Concussion.

I was ordered to stay in bed and rest. No laptop, no Blackberry, no iPhone, books, no nothing. Just sleep. I missed my Christmas party. I lost three days through sleeping. I attended a meeting with my fiancé at the local registry office to serve notice of our impending marriage with hugely dilated pupils and suspiciously black eyes. I tried desperately to remember my own date of birth, let alone his. It took me a good week to recover and to return to a normal state of mind.

So, that is how I met Mr Blahnik and sustained a nasty knock on the head.

I had concussed myself in the blink of a Manolo moment. As I flip through the gorgeous images in my personally signed book, I sigh and think to myself, Nicola, it was worth the bump.

Wind

I am talking the weather condition here, before you stop reading with a grimace.

Today I officially announce wind as the most annoying form of weather. According to Wikipedia, wind has inspired mythology, influenced the events of history, expanded the range of transport and warfare, and provided a power source for mechanical work, electricity and recreation.

I am all up for that, really I am. But today, it irritated the hell out of me.

Today's wind caused mayhem in minutes; it lifted up my skirt resulting in an unhelpful bum-flash near Warren Street station. It blew my hair around in all sorts of crazy directions, before finally sticking it in my newly applied lip-gloss. It rendered my umbrella completely useless and blew a wet plastic bag in my face along the busiest part of Tottenham Court Road. Nice.

It distorted important phone calls and made everyone grouchy and touchy and generally a bit fed up of the bracing, gusty swirling of it all. It created a bit of a to-do on New Oxford Street too, all because of a wild and unruly backwards umbrella-in-face-incident.

Other weather phenomena are nowhere near as offensive. Sun is all-round-sensational. Rain can be quite romantic as long as you're adequately covered. Snow, a former enemy of mine, is admittedly pretty.

But wind; blustery, breezy, howling wind is something I’ve got absolutely no time for whatsoever.

[youtube http://www.youtube.com/watch?v=uqs1YXfdtGE&w=420&h=315]

Coco Chanel, not city council

Sometimes when things get just a little bit too crazy, something outrageously awful happens that it is too raw right now to even laugh at it and it feels the world has gone completely and utterly bananas, it can only take one small thing to make me smile again.

Today it was this; dashing around Covent Garden this lunchtime weaving between street artists, tourists, shoppers and the like, I spotted a Chanel lamppost. For those who swoon over anything mildly romantic, legend has it that our very own second Duke of Westminster was indeed so taken with Mademoiselle 'Coco' Chanel after their meeting in the late 1920s, that he insisted that all lampposts in Westminster were to have her initials adorned on them.

Apparently Westminster City Council has quashed these romantic notions and state that the two Cs actually stand for City Council. Sigh. Don’t they know what love is? Have they ever seen any of her beautiful designs? Have they not read Justine Picardie’s Coco Chanel: The Legend and the Life? Well?

Coco actually turned down the Duke’s marriage proposal and is said to have told him ‘There have been several Duchesses of Westminster. There is only one Chanel'. in a way in which I suppose only she could have.

Today, I feel the need to be reminded of life’s small but wonderful things and am choosing to go with romance. When I pass that same lamppost later, or on any other sunny day in London, I will smile and think of Coco.